To embody the spirit of a culture and custom, Dweck and Kershaw immersed themselves into an intriguing and mystifying world. By doing this, the filmmakers honor the area’s innate poetic beauty, so they decided to make the film in black and white, which elevates the film as a distinguished story about a place and people all to its own.
Guada Gonza and Tati Gonza appear in Gaucho Gaucho by Gregory Kershaw and Michael Dweck, an official selection of the U.S. Documentary Competition at the 2024 Sundance Film Festival. Courtesy of Sundance Institute.
The film opens with a gaucho lying on his horse. This rare sight, described as bonding, adds to the connection these men and women have to their purpose and the land. The use of slow motion in many riding sequences provides an insight into a tradition passed down through generations and never lost. These people are filmed in sequences in a cinema verité style where we are dropped into their lives in conversation, at a meal, sipping mate, burning a cactus, taming a horse, or sharpening knives by stone. The arc of Gaucho Gaucho is built through the intersection of several generations of gauchos, revealing the culture full circle. A father and his two teenage boys, as well as a father and daughter, and an elderly gaucho, reminisce on this life. Within these interwoven vignettes are women who sew the clothes, mothers, and wives who care for their families, an elderly townsman who keeps the gaucho community informed, and the gauchos who run the land and keep their herds alive.
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